On the surface, Guillermo del Toro’s movies all have a similar feel, his trademarks are monsters, machines, and bucketlaods of slime. His fascination for the weird and supernatural is ever-present in all of his works. Deeper down, for the most part, his movies are far kinder.
James Franco a un petit côté masochiste. Et nous aussi, probablement. Car pourquoi aller voir The Disaster Artist, si ce n’est pour revivre, à moitié mal à l’aise, à moitié morts de rire, la fantastique catastrophe ambulante qu’est The Room, le meilleur pire film de tous les temps?
